Anonymous, Bernhard Henrik Crusell, Martin Fröst, Östgöta Blåsarsymfoniker, Arie Van Beek's 'Introduction, Theme and Variations on a Swedish Air, Op. 12: Variation I' came out on June 30, 1997. With Introduction, Theme and Variations on a Swedish Air, Op. 12: Variation I being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Martin Fröst, Arie Van Beek's "Larsson Gothe: Hekas!" album is number 3 out of 12. On top of that, Sweden appears to be the country where this track was created. Introduction, Theme and Variations on a Swedish Air, Op. 12: Variation I is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Introduction, Theme and Variations on a Swedish Air, Op. 12: Variation I by Anonymous, Bernhard Henrik Crusell, Martin Fröst, Östgöta Blåsarsymfoniker, Arie Van Beek to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sit Gloria Domini | Schola Gregoriana Mediolanensis & Giovanni Vianini | D Major | 1 | 10B | 135 BPM | ||
Missa cum iubilo - Kyrie | Nova Schola Gregoriana, Alberto Turco | E♭ Major | 1 | 5B | 68 BPM | ||
Segunda Parte - Morir Cuerdo Y Vivir Loco, Capítulo LXXIV: Requiem, "Lacrimosa Dies Illa" (Anónimo) | Montserrat Figueras, Hespèrion XXI, La Capella Reial De Catalunya, Jordi Savall | G Minor | 1 | 6A | 73 BPM | ||
Pax in nomine domini! | Marcabru, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 170 BPM | ||
Adoramus te Christe | Théodore Dubois, Chorale franco-allemande de Paris, Bernard Lallement, Georges Bessonnet, Thierry Pentsch, Li-Chin Huang | C Major | 0 | 8B | 127 BPM | ||
Mass for the Nativity of the Virgin: II. Conduit à quatre voix "Deus misertus hominis" | Pérotin, Ensemble Organum, Marcel Pérès | B♭ Major | 1 | 6B | 69 BPM | ||
Messe de la toussaint : Sanctus iii | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | D Minor | 0 | 7A | 88 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Introitus | Chants From the Holyland- Graz Gregorian Chants School of Austri | A Major | 1 | 11B | 80 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM |
Section: 0.5672128200531006
End: 0.5745682716369629