Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": XVI. "Blicket auf" [rehearsal 176]
Gustav Mahler, Maurice Abravanel, University of Utah Choruses, Utah Symphony Orchestra
Mahler: Symphony No. 8
2:17 December 17, 2021
BPM
76
Key
F Minor
Camelot
4A

Embed

Share Link

Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": XVI. "Blicket auf" [rehearsal 176] - Gustav Mahler, Maurice Abravanel, University of Utah Choruses, Utah Symphony Orchestra Information

Acousticness
92%
Danceability
17%
Energy
5%
Instrumentalness
69%
Liveness
34%
Loudness
39%
Speechiness
5%
Valence
8%
Popularity
Loudness
-36.599 dB

Summary

"Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": XVI. "Blicket auf" [rehearsal 176]" by Gustav Mahler, Maurice Abravanel, University of Utah Choruses, Utah Symphony Orchestra was released on December 17, 2021. The duration of Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": XVI. "Blicket auf" [rehearsal 176] is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": XVI. "Blicket auf" [rehearsal 176]'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gustav Mahler, Maurice Abravanel, University of Utah Choruses, Utah Symphony Orchestra's "Mahler: Symphony No. 8" album is number 25 out of 28. On top of that, United States appears to be the country where this track was created. Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": XVI. "Blicket auf" [rehearsal 176] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": XVI. "Blicket auf" [rehearsal 176] BPM

We consider the tempo marking of Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": XVI. "Blicket auf" [rehearsal 176] by Gustav Mahler, Maurice Abravanel, University of Utah Choruses, Utah Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Symphony No. 8 in E-Flat Major, Pt. 2 "Schlußszene aus 'Faust'": XVI. "Blicket auf" [rehearsal 176] Key

This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance by Richard Strauss, Fritz ReinerDon Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful CountenanceRichard Strauss, Fritz ReinerF Major07B63 BPM
Sospiri, Op. 70 by Edward Elgar, Academy of St. Martin in the Fields, Sir Neville MarrinerSospiri, Op. 70Edward Elgar, Academy of St. Martin in the Fields, Sir Neville MarrinerF Major17B177 BPM
Lohengrin, WWV 75: Prelude to Act 1 by Richard Wagner, Wiener Philharmoniker, Sir Georg SoltiLohengrin, WWV 75: Prelude to Act 1Richard Wagner, Wiener Philharmoniker, Sir Georg SoltiA Major111B72 BPM
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance by Sergei Prokofiev, Cleveland Orchestra, Lorin MaazelRomeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning DanceSergei Prokofiev, Cleveland Orchestra, Lorin MaazelG Major29B90 BPM
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess by Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoShéhérazade, Op. 35: III. The Young Prince and the Young PrincessNikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoG Major09B103 BPM
Elegy, Op. 58 by Edward Elgar, English Northern Philharmonia, David Lloyd-JonesElegy, Op. 58Edward Elgar, English Northern Philharmonia, David Lloyd-JonesF Minor04A84 BPM
Scheherazade: The Young Prince by Nikolai Rimsky-Korsakov, Joakim SvenhedenScheherazade: The Young PrinceNikolai Rimsky-Korsakov, Joakim SvenhedenG Major19B91 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brio by Antonín Dvořák, London Symphony Orchestra, Sir Colin DavisSymphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brioAntonín Dvořák, London Symphony Orchestra, Sir Colin DavisG Major19B139 BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: IV. AdagioArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonD Major110B82 BPM
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace by Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony OrchestraBrahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivaceJohannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony OrchestraG Major39B87 BPM
ISRC
USX762105125
Label
L-M Records/RCA Records

Section: 0.7019495964050293

End: 0.7085583209991455