"Capriccio for Solo Viola, Op. 55" by Henri Vieuxtemps, Antoine Tamestit was released on February 24, 2017. The duration of Capriccio for Solo Viola, Op. 55 is about 3 minutes long, at 3:25. Based on our data, "Capriccio for Solo Viola, Op. 55" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 10 in Bel Canto: The Voice of the Viola by Antoine Tamestit, Cédric Tiberghien. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Capriccio for Solo Viola, Op. 55's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Capriccio for Solo Viola, Op. 55 by Henri Vieuxtemps, Antoine Tamestit is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harold en Italie, Op. 16: II. Marche de pélerins chantant la pière du soir | Hector Berlioz, London Symphony Orchestra, Valery Gergiev, Antoine Tamestit | E Major | 0 | 12B | 81 BPM | ||
Die taubenpost (Schwanengesang) | Franz Schubert, Antoine Tamestit, Markus Hadulla | B♭ Major | 0 | 6B | 108 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Renaud Capuçon, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 73 BPM | ||
Romances sans paroles, Op. 8: IV. Allegro moderato | Henri Vieuxtemps, Philippe Koch, Luc Devos | B Major | 2 | 1B | 131 BPM | ||
Fauré: Élégie, Op. 24 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | A♭ Major | 0 | 4B | 89 BPM | ||
Double Concerto for 2 Violins, Strings & Continuo in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane | F Major | 2 | 7B | 88 BPM | ||
Zwei Gesänge, Op. 91: I. Gestillte Sehnsucht | Johannes Brahms, Antoine Tamestit, Cédric Tiberghien, Matthias Goerne | D Major | 0 | 10B | 72 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Viola Concerto: III. Poco vivo subito | Jörg Widmann, Antoine Tamestit, Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | C Major | 0 | 8B | 136 BPM | ||
Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM |
Section: 1.0202040672302246
End: 1.0246081352233887