Harold en Italie, Op. 16: II. Marche de pélerins chantant la pière du soir - Hector Berlioz, London Symphony Orchestra, Valery Gergiev, Antoine Tamestit Information

Acousticness: 68%
Danceability: 13%
Energy: 2%
Instrumentalness: 1%
Liveness: 12%
Loudness: 45%
Speechiness: 4%
Valence: 10%
Popularity: 10%
Loudness: -32.923 dB

Summary

"Harold en Italie, Op. 16: II. Marche de pélerins chantant la pière du soir" by Hector Berlioz, London Symphony Orchestra, Valery Gergiev, Antoine Tamestit was released on November 18, 2014. Since Harold en Italie, Op. 16: II. Marche de pélerins chantant la pière du soir is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 7 in Berlioz: Harold en Italie, La mort de Cléopâtre by Hector Berlioz, London Symphony Orchestra, Valery Gergiev. Harold en Italie, Op. 16: II. Marche de pélerins chantant la pière du soir is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Harold en Italie, Op. 16: II. Marche de pélerins chantant la pière du soir BPM

The tempo marking of Harold en Italie, Op. 16: II. Marche de pélerins chantant la pière du soir by Hector Berlioz, London Symphony Orchestra, Valery Gergiev, Antoine Tamestit is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Harold en Italie, Op. 16: II. Marche de pélerins chantant la pière du soir Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Pictures At An Exhibition: Gnomus	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	B Major	0	1B	99 BPM
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 2: "Margarita !" (Faust, Méphistophélès)	Hector Berlioz, John Nelson, Michael Spyres, Nicolas Courjal, Orchestre Philharmonique De Strasbourg	D Major	1	10B	83 BPM
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	B♭ Major	1	6B	153 BPM
Symphonie Fantastique, Op. 14: V. Songe d'une nuit de sabbat	Hector Berlioz, London Symphony Orchestra, Valery Gergiev	C Minor	1	5A	60 BPM
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	A Major	0	11B	136 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	C Major	0	8B	54 BPM
Appalachian Spring: IV. Quite Fast	Aaron Copland, Leonard Bernstein, New York Philharmonic	E Major	3	12B	127 BPM
Béatrice et Bénédict / Act 1: Je vais le voir	Hector Berlioz, Ileana Cotrubas, Orchestre de Paris, Daniel Barenboim	A Major	2	11B	104 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Finale	Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung	E Major	2	12B	78 BPM
La damnation de Faust, Op. 24, Pt. I Scene 3: Hungarian March, "Rákóczy March"	Hector Berlioz, Marie-Ange Todorovitch, Michael Myers, Alain Vernhes, René Schirrer, Jan Rozehnal, Philippe Gerard, Slovak Philharmonic Choir, Orchestre National de Lille, Jean-Claude Casadesus	F Major	2	7B	129 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7775936126708984

End: 0.7811181545257568