"La Bayadere, Act I, Scene 1: 11. "Pas De Deux, Nikiya and Solor Continued"" by Evergreen Symphony Orchestra, Kevin Galiè was released on February 26, 2018. The duration of La Bayadere, Act I, Scene 1: 11. "Pas De Deux, Nikiya and Solor Continued" is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. La Bayadere, Act I, Scene 1: 11. "Pas De Deux, Nikiya and Solor Continued"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 11 out of 53. Based on our statistics, La Bayadere, Act I, Scene 1: 11. "Pas De Deux, Nikiya and Solor Continued"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadere, Act I, Scene 1: 11. "Pas De Deux, Nikiya and Solor Continued" by Evergreen Symphony Orchestra, Kevin Galiè to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act II: Variation Of Dulcinea - Kitri (Minkus) | Mariinsky Orchestra | E♭ Major | 1 | 5B | 99 BPM | ||
La Bayadere, Act II: 23. "Fan Dance" | Evergreen Symphony Orchestra, Kevin Galiè | B Minor | 0 | 10A | 124 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
Pictures at an Exhibition: Gnomus | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 85 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Coda | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | C Major | 4 | 8B | 135 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 38 "Spring": IV. Allegro animato e grazioso | Robert Schumann, Berliner Philharmoniker, Rafael Kubelik | B♭ Major | 2 | 6B | 96 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher (The Hero's Enemies) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | G Minor | 1 | 6A | 72 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 11, Limoges, le marché (La grande nouvelle) | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | G Major | 1 | 9B | 87 BPM | ||
Act III: Variation II La fee Argent | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A♭ Major | 1 | 4B | 115 BPM |
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