"Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher (The Hero's Enemies) -" by Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink was released on June 29, 2010. The duration of Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher (The Hero's Enemies) - is about 3 minutes long, at 3:21. Based on our data, "Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher (The Hero's Enemies) -" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Strauss: Ein Heldenleben". In this album, this song's track order is #2. Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher (The Hero's Enemies) - is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher (The Hero's Enemies) - by Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein Heldenleben, Op. 40, TrV 190: The Love Scene | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | F♯ Major | 1 | 2B | 76 BPM | ||
Symphony No. 1 in E Minor, Op. 1: III. Scherzo: Vivace - Trio | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Minor | 3 | 2A | 102 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | E♭ Major | 3 | 5B | 132 BPM | ||
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy Evening on the Sea). Allegro agitato | Edvard Grieg, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 69 BPM | ||
Romeo and Juliet Suite: Minuet | Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti | E♭ Major | 1 | 5B | 92 BPM | ||
Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 84 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Danse grotesque de Dorcon - Vif - Plus modéré - Trés modéré - Pesant | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | F Major | 1 | 7B | 189 BPM | ||
Symphonie Fantastique, Op.14, H 48: 1. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | C Major | 1 | 8B | 143 BPM | ||
L'Arlésienne Suite No.1, WD 40: 3. Adagietto | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 0 | 7B | 92 BPM |
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