Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko's 'The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation II. Coulante, Fleur de Farine (Fairy of the Enchanted Garden)' came out on January 1, 2012. With The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation II. Coulante, Fleur de Farine (Fairy of the Enchanted Garden) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 26 in the song's album "The Sleeping Beauty (excerpts from the Ballet)". In this album, this song's track order is #6. The popularity of The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation II. Coulante, Fleur de Farine (Fairy of the Enchanted Garden) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation II. Coulante, Fleur de Farine (Fairy of the Enchanted Garden) by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko having a BPM of 189 with a half-time of 94 BPM and a double-time of 378 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Waltz No. 3 in A Minor, Op. 34 No. 2 | Frédéric Chopin, Cyprien Katsaris | A Minor | 0 | 8A | 70 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Il Trovatore (The Troubadour) : Ballet Music, Echo de la vivandiére, Allegro | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | C Major | 3 | 8B | 138 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Bolero | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 6 | 10B | 96 BPM | ||
Les Ruses d'amour, Op. 61: Danse de Marionettes | Alexander Glazunov, Iasi Moldova Philharmonic Orchestra, Horia Andreescu | D Minor | 0 | 7A | 113 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 0 | 11B | 69 BPM | ||
The Carnival of the Animals, R.125: XIV. Finale | Camille Saint-Saëns, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung | C Major | 4 | 8B | 101 BPM | ||
Act I: Entree Of Kitri (Minkus) | Mariinsky Orchestra | G Major | 1 | 9B | 172 BPM | ||
Raymonda, Act I: Grand Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 1 | 10B | 179 BPM |
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