Giselle / Act 1: Pas de Deux: Boy's Second Variation (Alternate Version) - Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon Information

Acousticness: 92%
Danceability: 53%
Energy: 11%
Instrumentalness: 94%
Liveness: 7%
Loudness: 65%
Speechiness: 4%
Valence: 74%
Popularity: 0%
Loudness: -20.803 dB

Summary

Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon made "Giselle / Act 1: Pas de Deux: Boy's Second Variation (Alternate Version)" available on May 15, 2015. With Giselle / Act 1: Pas de Deux: Boy's Second Variation (Alternate Version) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon's "Giselle" album is number 35 out of 42. In terms of popularity, Giselle / Act 1: Pas de Deux: Boy's Second Variation (Alternate Version) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Giselle / Act 1: Pas de Deux: Boy's Second Variation (Alternate Version) BPM

We consider the tempo marking of Giselle / Act 1: Pas de Deux: Boy's Second Variation (Alternate Version) by Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

Giselle / Act 1: Pas de Deux: Boy's Second Variation (Alternate Version) Key

B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee	Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields	G Major	0	9B	86 BPM
Carnival of the Animals, R. 125: Aviary	Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma	F Major	1	7B	162 BPM
Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt"	Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra	F Major	1	7B	81 BPM
Romeo and Juliet, Op. 64: No. 19 Balcony Scene	Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	D♭ Major	0	3B	88 BPM
Cinderella-Suite Nr. 1, Op. 107: VI. Cinderella Goes to the Ball	Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar	D Minor	2	7A	77 BPM
La Bayadere, Act III: 44. "Variation - 1st Soloist Shade"	Evergreen Symphony Orchestra, Kevin Galiè	A Major	1	11B	111 BPM
Giselle: Act II: Entree d'Hilarion scene et fugue des Wilis - Grand pas de deux	Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner	E♭ Major	0	5B	126 BPM
Adam: Giselle, Act 1: No. 5 Variation I	Adolphe Adam, Terence Kern, London Festival Ballet Orchestra	A Major	2	11B	77 BPM
Raymonda, Act I: La Romanesca (Danse pour deux dames et deux pages)	Alexander Glazunov, Kivov Orchestra, Viktor Fedotov	E Minor	1	9A	106 BPM
Turandot, Act III: Nessun dorma (arr. for orchestra)	Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov	D Major	1	10B	85 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.0217535495758057

End: 1.0253043174743652