Evergreen Symphony Orchestra, Kevin Galiè made "La Bayadere, Act II: 33. "Wedding Variation - Gamzatti"" available on February 26, 2018. With La Bayadere, Act II: 33. "Wedding Variation - Gamzatti" being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 5 out of 53. La Bayadere, Act II: 33. "Wedding Variation - Gamzatti" is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of La Bayadere, Act II: 33. "Wedding Variation - Gamzatti" by Evergreen Symphony Orchestra, Kevin Galiè to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Caprice viennois | Fritz Kreisler, Isaac Stern, János Rolla, Franz Liszt Chamber Orchestra | B Major | 1 | 1B | 89 BPM | ||
Sinfonia in B-Flat Major: II. Andante | Theodor von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | B Major | 0 | 1B | 70 BPM | ||
Don Quixote: Act II: Quiteria's Variation as Dulcinea | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 0 | 5B | 103 BPM | ||
Symphony No. 4: I. Adagio | Antonio Casimir Cartellieri, Evergreen Symphony Orchestra, Gernot Schmalfuss | E♭ Major | 1 | 5B | 105 BPM | ||
Slavonic Dance No. 2 in E Minor, Op. 72 | London Philharmonic Orchestra | C Major | 3 | 8B | 97 BPM | ||
Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | ||
Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Küchler: Violin concertino Op. 15 in D Major: I. Allegro moderato | Ferdinand Küchler, Maria Antònia Pons-Estel Tugores, Valentin Moldovan | D Major | 2 | 10B | 111 BPM |
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