"Don Quixote: Act II: Quiteria's Variation as Dulcinea" by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov was released on February 24, 2004. With Don Quixote: Act II: Quiteria's Variation as Dulcinea being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig Minkus, Nayden Todorov's "Minkus: Don Quixote" album is number 15 out of 59. In terms of popularity, Don Quixote: Act II: Quiteria's Variation as Dulcinea is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Don Quixote: Act II: Quiteria's Variation as Dulcinea by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaîté parisienne: Overture | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 137 BPM | ||
Tritsch-Tratsch-Polka, Op. 214: "Tritsch-Tratsch-Polka" | Philharmonia Orchestra, Herbert von Karajan | A Major | 4 | 11B | 80 BPM | ||
Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16a, Pas de deux de Fanny Elssler. Introduction | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 1 | 7B | 107 BPM | ||
Act II: Dance Of The Dryads (Minkus) | Mariinsky Orchestra | A Major | 1 | 11B | 173 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Hungarian Dance No. 21 in E Minor (Orch. Dvořák) | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | B Minor | 3 | 10A | 137 BPM | ||
Grieg: Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | G Major | 1 | 9B | 134 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 3, Variation I (based on a Waltz from Adolphe Adam's "Le Diable … quatre") | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 2 | 6B | 109 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM |
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