"Matthäus-Passion, BWV 244, Pt. 2: No. 55, Recitative. "Und da sie ihn verspottet hatten" (Evangelist)" by Johann Sebastian Bach, Peter Schreier, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger was released on October 1, 2019. With Matthäus-Passion, BWV 244, Pt. 2: No. 55, Recitative. "Und da sie ihn verspottet hatten" (Evangelist) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #55. Furthermore, we believe that the track originated from Netherlands. Matthäus-Passion, BWV 244, Pt. 2: No. 55, Recitative. "Und da sie ihn verspottet hatten" (Evangelist) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Matthäus-Passion, BWV 244, Pt. 2: No. 55, Recitative. "Und da sie ihn verspottet hatten" (Evangelist) by Johann Sebastian Bach, Peter Schreier, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: III. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 4 | 12B | 151 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
Sonata in G major, Wq. 62/19: 2. Andante | Carl Philipp Emanuel Bach, Mikhail Pletnev | B Minor | 0 | 10A | 98 BPM |
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