Johann Strauss II, Wolfgang Windgassen, Eberhard Wächter, Heinz Holecek, Renate Holm, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm made "Die Fledermaus / Act 2: "Ach, meine Herr'n und Damen...Mein Herr Marquis"" available on January 1, 1972. With this song being about 5 minutes long, at 4:38, "Die Fledermaus / Act 2: "Ach, meine Herr'n und Damen...Mein Herr Marquis"" by Johann Strauss II, Wolfgang Windgassen, Eberhard Wächter, Heinz Holecek, Renate Holm, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Strauss, J.: Die Fledermaus". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Die Fledermaus / Act 2: "Ach, meine Herr'n und Damen...Mein Herr Marquis" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Die Fledermaus / Act 2: "Ach, meine Herr'n und Damen...Mein Herr Marquis" by Johann Strauss II, Wolfgang Windgassen, Eberhard Wächter, Heinz Holecek, Renate Holm, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Isabella: Ouvertüre | Franz von Suppé, Franz Welser-Möst, Wiener Philharmoniker | D Major | 3 | 10B | 102 BPM | ||
Marche militaire, Op. 51, No. 1 | Franz Schubert, Louis Lane, The Cleveland Pops Orchestra | D Major | 1 | 10B | 116 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" | Jacques Offenbach, Inma Shara | D Major | 4 | 10B | 74 BPM | ||
Leichte Kavallerie: Ouvertüre | Franz von Suppé, Andris Nelsons, Wiener Philharmoniker | A Major | 4 | 11B | 86 BPM |
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