"Otello: Era più calma ... Piangea cantando (Atto IV)" by Anton Guadagno, Elizabeth Bainbridge, Montserrat Caballé, Royal Philharmonic Orchestra was released on 1988. Since Otello: Era più calma ... Piangea cantando (Atto IV) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 12 in Bellini & Verdi: Italian Opera Arias by Montserrat Caballé. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Otello: Era più calma ... Piangea cantando (Atto IV) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Otello: Era più calma ... Piangea cantando (Atto IV) by Anton Guadagno, Elizabeth Bainbridge, Montserrat Caballé, Royal Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walkure: Act III Scene 1: Walkurenritt: Hojotoho! Heiaha! (Gerhilde, Helmwige, Waltraute, Schwertleite, Ortlinde, Siegrune, Grimgerde, Rossweisse) | Richard Wagner, Endrik Wottrich, Kwangchul Youn, Albert Dohmen, Eva-Maria Westbroek, Linda Watson, Michelle Breedt, Sonja Muhleck, Anna Gabler, Martina Dike, Simone Schroder, Edith Haller, Wilke te Brummelstroete, Annette Kuttenbaum, Manuela Bress, Bayreuth Festival Orchestra, Christian Thielemann | E Minor | 3 | 9A | 91 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2 Scene 8: No. 14, Arie, "Der Hölle Rache kocht in meinem Herzen" (Königin) | Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players | F Major | 3 | 7B | 76 BPM | ||
Aida, Act II: Marcha triunfal | Waldo De Los Ríos | E♭ Major | 5 | 5B | 88 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM | ||
La Marseillaise | Claude Joseph Rouget de Lisle, Garde Républicaine - Roger Boutry - Choeur De L'Armée Française - Mireille Mathieu, Roger Boutry | F Major | 6 | 7B | 115 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
Turandot - Nesum dorma | Virtuosi Di Praga, Alberto Jelmoni | D Major | 2 | 10B | 79 BPM | ||
Pomp and Circumstance Marches, Op. 39: No. 1: March in D Major - Excerpt | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | G Major | 1 | 9B | 83 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM |
Section: 0.7273557186126709
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