"Mozart: Die Zauberflöte, K. 620, Act 2 Scene 8: No. 14, Arie, "Der Hölle Rache kocht in meinem Herzen" (Königin)" by Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players was released on February 7, 2005. The duration of Mozart: Die Zauberflöte, K. 620, Act 2 Scene 8: No. 14, Arie, "Der Hölle Rache kocht in meinem Herzen" (Königin) is about 3 minutes long, at 3:01. Based on our data, "Mozart: Die Zauberflöte, K. 620, Act 2 Scene 8: No. 14, Arie, "Der Hölle Rache kocht in meinem Herzen" (Königin)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players's "Mozart: Die Zauberflote" album is number 9 out of 60. Mozart: Die Zauberflöte, K. 620, Act 2 Scene 8: No. 14, Arie, "Der Hölle Rache kocht in meinem Herzen" (Königin) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mozart: Die Zauberflöte, K. 620, Act 2 Scene 8: No. 14, Arie, "Der Hölle Rache kocht in meinem Herzen" (Königin) by Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "L'estate": III. Tempo impetuoso d'estate | Antonio Vivaldi, Europa Galante, Fabio Biondi | F♯ Major | 6 | 2B | 85 BPM | ||
Nabucco / Act III: Va, pensiero, sull'ali dorate | Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D♭ Major | 0 | 3B | 73 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Die Zauberflöte, K. 620, Act II: Ach, ich fühl's, es ist verschwunden - Remastered 2024 | Wolfgang Amadeus Mozart, Lisa della Casa, Orchestre de la Suisse Romande, Victor Reinshagen | B♭ Major | 1 | 6B | 96 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Emma Matthews, Monte-Carlo Philharmonic Orchestra, Brad Cohen | A♭ Major | 1 | 4B | 177 BPM | ||
Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Piano Sonata No. 14 In C Minor, K. 457: II. Adagio | Jenő Jandó, Wolfgang Amadeus Mozart | E♭ Major | 0 | 5B | 123 BPM |
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