Sergei Prokofiev, Leonard Bernstein, New York Philharmonic's 'Peter and the Wolf, Op. 67 (Without Narration): Poco più andante' came out on November 2, 2018. With Peter and the Wolf, Op. 67 (Without Narration): Poco più andante being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 31 in the song's album "Prokofiev: Peter and the Wolf, Op. 67 - Saint-Saens: Le Carnaval des animaux & Danse macabre". In this album, this song's track order is #5. Peter and the Wolf, Op. 67 (Without Narration): Poco più andante is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Peter and the Wolf, Op. 67 (Without Narration): Poco più andante by Sergei Prokofiev, Leonard Bernstein, New York Philharmonic having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a theme of Frank Bridge, Op.10: 1. Introduction & Theme | Benjamin Britten, English Chamber Orchestra | F Major | 0 | 7B | 84 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): III. Elfenmarsch / Marche des Elfes | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 0 | 8B | 147 BPM | ||
Symphony No.2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Schnell - Live | Gustav Mahler, New York Philharmonic, Leonard Bernstein | E♭ Minor | 2 | 2A | 64 BPM | ||
Taras Bulba: 2. The Death Of Ostap | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Minor | 1 | 12A | 118 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
"Pomp and Circumstance," Op.39: March, No.1 in D | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 72 BPM | ||
Symphony No. 1 in D Major "Titan": IIId. Wieder etwas bewegter, wie im Anfang | Gustav Mahler, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 87 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Don Quixote, Op. 35: Introduction | Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John Weicher | G Minor | 1 | 6A | 65 BPM | ||
Sylvia: Act I: Prelude | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 61 BPM |
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