Gustav Mahler, New York Philharmonic, Leonard Bernstein's 'Symphony No.2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Schnell - Live' came out on November 11, 1987. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gustav Mahler, New York Philharmonic, Leonard Bernstein's "Mahler: Symphony No.2 "Resurrection"" album is number 3 out of 25. Symphony No.2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Schnell - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Schnell - Live by Gustav Mahler, New York Philharmonic, Leonard Bernstein to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Symphony No. 9 in E-Flat Major, Op. 70: III. Presto | Dmitri Shostakovich, Valery Gergiev, Munich Philharmonic Orchestra | B♭ Minor | 2 | 3A | 130 BPM | ||
Symphony No. 3: II. Allegro molto | Aaron Copland, New York Philharmonic, Leonard Bernstein | G Minor | 1 | 6A | 65 BPM | ||
Eine Alpensinfonie: IV. Auf der Alm - Durch Dickicht und Gestrüpp auf Irrwegen | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 77 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Moderato - Allegro ma non troppo - Moderato | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 97 BPM | ||
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | ||
Taras Bulba: 1. The Death Of Andri | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | B Major | 1 | 1B | 84 BPM | ||
Variations on a theme of Frank Bridge, Op.10: 7. Wiener Waltzer | Benjamin Britten, English Chamber Orchestra | C Major | 1 | 8B | 98 BPM | ||
Adagio - Vivacissimo - Adagio - Allegro molto moderato-Allegro moderato- Presto- Adagio - Largamente molto - Affettuoso | Jean Sibelius, Leonard Bernstein, New York Philharmonic | C Major | 2 | 8B | 80 BPM | ||
Piano Concerto in E Major, Op. 59: III. Scherzo: Vivace | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | A Major | 1 | 11B | 71 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part 1: "Veni creator spiritus" | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus | A♭ Major | 3 | 4B | 67 BPM |
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