Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus made "Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part 1: "Veni creator spiritus"" available on November 27, 1987. With Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part 1: "Veni creator spiritus" being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gustav Mahler, Sir Simon Rattle's "Mahler: Complete Symphonies" album is number 41 out of 74. Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part 1: "Veni creator spiritus" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part 1: "Veni creator spiritus" by Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | G Major | 2 | 9B | 165 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Lawrence Brownlee, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
Grieg: Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | E Major | 5 | 12B | 85 BPM | ||
Requiem: X. Lacrymosa | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, John Relyea, Christine Brewer, Karen Cargill, London Symphony Orchestra | B♭ Minor | 1 | 3A | 83 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle, Mitsuko Uchida | B Major | 0 | 1B | 81 BPM | ||
Te Deum, WAB 45: I. Te Deum laudamus | Anton Bruckner, Anna Tomowa-Sintow, Agnes Baltsa, Peter Schreier, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein, Rudolf Scholz | B♭ Minor | 1 | 3A | 85 BPM | ||
Te Deum, WAB 45: 1. Te Deum laudamus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Minor | 2 | 5A | 126 BPM | ||
Lady Macbeth of Mtsensk District / Act 1: Akh, ne spítsya ból'se, popróbuyu | Dmitri Shostakovich, Maria Ewing, Orchestre de l'Opéra Bastille, Myung-Whun Chung | G Minor | 0 | 6A | 86 BPM |
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