"Tannhäuser, WWV 70 - Paris version / Act 1: Overture ..."Naht euch dem Strande"" by Richard Wagner, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1971. Tannhäuser, WWV 70 - Paris version / Act 1: Overture ..."Naht euch dem Strande" appears to be safe for all ages as it is not explicit. This song is part of Wagner: Tannhäuser by Richard Wagner, Helga Dernesch, René Kollo, Sir Georg Solti, Wiener Philharmoniker. The song's track number on the album is #1 out of 34 tracks. Tannhäuser, WWV 70 - Paris version / Act 1: Overture ..."Naht euch dem Strande" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser, WWV 70 - Paris version / Act 1: Overture ..."Naht euch dem Strande" by Richard Wagner, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tannhäuser, WWV 70 - Paris version / Act 1: Overture ..."Naht euch dem Strande" being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les préludes, S. 97 | Franz Liszt, London Philharmonic Orchestra, Sir Georg Solti | C Major | 2 | 8B | 66 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Dans les steppes de l'Asie centrale | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
5 German Dances, D.89 (D.90) - Arranged For 7 Trios And 1 Coda For String Quartett: 1. Deutscher Tanz - Trio I - Trio II In C Major | Franz Schubert, Gidon Kremer, Gabrielle Lester, Diemut Poppen, Richard Lester, Chamber Orchestra of Europe | C Major | 0 | 8B | 133 BPM | ||
Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6 | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 74 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra National de Paris | D♭ Major | 2 | 3B | 80 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Overture | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | C Major | 3 | 8B | 92 BPM | ||
Liszt: Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244 No. 2 | Franz Liszt, György Cziffra | D♭ Major | 3 | 3B | 98 BPM | ||
Schützen Quadrille | Johann Strauss II, Josef Strauss, Eduard Strauss, Zubin Mehta, Wiener Philharmoniker | B♭ Major | 4 | 6B | 106 BPM |
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