"Te Deum in D Major, MH 829: II. Largo" by Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt was released on January 1, 2006. With Te Deum in D Major, MH 829: II. Largo being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Haydn, Werner Ehrhardt's "Haydn, M.: Requiem in C Minor / Missa Sancti Joannis Nepomuceni / Te Deum in D Major" album is number 21 out of 23. On top of that, Germany appears to be the country where this track was created. Te Deum in D Major, MH 829: II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te Deum in D Major, MH 829: II. Largo by Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Sanctus: I. Sanctus | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani | B♭ Major | 0 | 6B | 136 BPM | ||
Te Deum: II. Te gloriosus apostolorum chorus | Giovanni Bononcini, Owen Rees, Esther Lay, Helen Charlston | B Minor | 2 | 10A | 71 BPM | ||
Missa solemnis in D major, Op. 123: II. Gloria: Quoniam tu solus sanctus. Allegro maestoso | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Tilge, Hochster, meine Sunden, BWV 1083: Schaue nicht auf meine Sunden (Soprano, Alto) | Johann Sebastian Bach, Christiane Oelze, Birgit Remmert, Bach-Collegium Stuttgart, Helmuth Rilling | B♭ Major | 2 | 6B | 105 BPM | ||
Petite messe solennelle: Et resurrexit | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | E Major | 2 | 12B | 137 BPM | ||
Te Deum In C Major - Hob. XXIIIc:2: "Te ergo quaesumus" Adagio | Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 0 | 8B | 70 BPM | ||
Paulus: II. Teil: Nr. 37 Chor "Hier ist der Herren Tempel!" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | D♭ Minor | 0 | 12A | 71 BPM | ||
Symphony in D Major, G. 490: III. Allegro | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | C Major | 1 | 8B | 134 BPM | ||
Messa di Gloria: VI. Domine Deus | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | F Major | 0 | 7B | 83 BPM | ||
Grande Messe des Morts: XIII. Sequentia: Confutatis - Allegro molto | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 2 | 6A | 84 BPM |
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