Tilge, Hochster, meine Sunden, BWV 1083: Schaue nicht auf meine Sunden (Soprano, Alto) - Johann Sebastian Bach, Christiane Oelze, Birgit Remmert, Bach-Collegium Stuttgart, Helmuth Rilling Information

Acousticness: 98%
Danceability: 40%
Energy: 24%
Instrumentalness: 0%
Liveness: 9%
Loudness: 71%
Speechiness: 4%
Valence: 35%
Popularity: 1%
Loudness: -17.141 dB

Summary

Johann Sebastian Bach, Christiane Oelze, Birgit Remmert, Bach-Collegium Stuttgart, Helmuth Rilling's 'Tilge, Hochster, meine Sunden, BWV 1083: Schaue nicht auf meine Sunden (Soprano, Alto)' had a release date set for January 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 25 out of 28 in Bach, J.S.: Magnificat in D Major, Bwv 243 by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Tilge, Hochster, meine Sunden, BWV 1083: Schaue nicht auf meine Sunden (Soprano, Alto) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Tilge, Hochster, meine Sunden, BWV 1083: Schaue nicht auf meine Sunden (Soprano, Alto) BPM

The tempo marking of Tilge, Hochster, meine Sunden, BWV 1083: Schaue nicht auf meine Sunden (Soprano, Alto) by Johann Sebastian Bach, Christiane Oelze, Birgit Remmert, Bach-Collegium Stuttgart, Helmuth Rilling is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Tilge, Hochster, meine Sunden, BWV 1083: Schaue nicht auf meine Sunden (Soprano, Alto) Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Trio Sonata in E Minor: I. Grave	Johann Rosenmüller, Anna Holbling, Quido Holbling, Jozef Zsapka	A Major	2	11B	98 BPM
Renaissance, Book 2: Sarabande (Lully)	Leopold Godowsky, Konstantin Scherbakov	E Minor	0	9A	94 BPM
Cançoneta for Violin and Orchestra	Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner	A Major	0	11B	70 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848	Daniel Barenboim	D♭ Major	1	3B	84 BPM
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] (performed on two pianos)	Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson	C Major	2	8B	91 BPM
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe]	George Frideric Handel, Akademie für Alte Musik Berlin	D♭ Major	2	3B	132 BPM
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 3. Fuga (performed on two pianos)	Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson	C Major	3	8B	103 BPM

ISRC: DEA559902741
Label: L-M Records/RCA Records