Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard)
Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg
Baritenor
4:20 September 24, 2021
BPM
81
Key
F Minor
Camelot
4A

Embed

Share Link

Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) - Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg Information

Acousticness
98%
Danceability
34%
Energy
17%
Instrumentalness
5%
Liveness
15%
Loudness
72%
Speechiness
4%
Valence
18%
Popularity
Loudness
-16.766 dB

Summary

"Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard)" by Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg was released on September 24, 2021. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 18 in Baritenor by Michael Spyres. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) BPM

The tempo marking of Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) by Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) Key

F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
El sombrero de tres picos, Pt. 1: III. Danza de la molinera by Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the AmericasEl sombrero de tres picos, Pt. 1: III. Danza de la molineraManuel de Falla, Carlos Miguel Prieto, The Orchestra of the AmericasD Major110B121 BPM
Slavonic Dance No. 2 in E Minor, Op. 72 by London Philharmonic OrchestraSlavonic Dance No. 2 in E Minor, Op. 72London Philharmonic OrchestraC Major38B97 BPM
Gavotte by Francois-Joseph Gossec, Kyung Wha Chung, Phillip MollGavotteFrancois-Joseph Gossec, Kyung Wha Chung, Phillip MollD Major110B128 BPM
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee by Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony BramallTale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-BeeNikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony BramallD Minor07A77 BPM
Le jeune Henri, Le jeune Henri, "La Chasse du jeune Henry": Overture (arr. L.M. Gottschalk): La Chasse du jeune Henri: Overture (arr. Gottschalk for 3 pianos, 10-hands, orchestra, RO 54b)Louis Moreau Gottschalk, Étienne Nicolas Méhul, John Contiguglia, Richard Contiguglia, Angela Draghicescu, Chin-Ming Lin, Joshua Pepper, Hot Springs Music Festival Symphony Orchestra, Richard RosenbergD Major210B117 BPM
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio by Gabriel Fauré, Boston Symphony Orchestra, Seiji OzawaPelléas et Mélisande, Op. 80: 1. Prélude. Quasi AdagioGabriel Fauré, Boston Symphony Orchestra, Seiji OzawaF Major27B98 BPM
L'irato, ou L'emporte: Air: Ah, les maudites gens (Pandolphe) by Étienne Nicolas Méhul, Miljenko Turk, Cyril Auvity, Pauline Courtin, Alain Buet, Svenja Hempel, Georg Poplutz, Bonner Chamber Choir, Arte del mondo, L', Werner EhrhardtL'irato, ou L'emporte: Air: Ah, les maudites gens (Pandolphe)Étienne Nicolas Méhul, Miljenko Turk, Cyril Auvity, Pauline Courtin, Alain Buet, Svenja Hempel, Georg Poplutz, Bonner Chamber Choir, Arte del mondo, L', Werner EhrhardtA Major211B126 BPM
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): III. Danse collective by Alexander Borodin, Anima Eterna, Jos Van ImmerseelLes danses polovtsiennes (Extraits de l'opéra Le Prince Igor): III. Danse collectiveAlexander Borodin, Anima Eterna, Jos Van ImmerseelD Major210B104 BPM
Marche militaire, Op. 51, No. 1 by Franz Schubert, Louis Lane, The Cleveland Pops OrchestraMarche militaire, Op. 51, No. 1Franz Schubert, Louis Lane, The Cleveland Pops OrchestraD Major110B116 BPM
Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude by Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens LyriquesRameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: PréludeJean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens LyriquesB♭ Major26B107 BPM
ISRC
GBAYC2002706
Label
L-M Records/RCA Records

Section: 0.735783576965332

End: 0.7406656742095947