"Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard)" by Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg was released on September 24, 2021. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 18 in Baritenor by Michael Spyres. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) by Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Slavonic Dance No. 2 in E Minor, Op. 72 | London Philharmonic Orchestra | C Major | 3 | 8B | 97 BPM | ||
Gavotte | Francois-Joseph Gossec, Kyung Wha Chung, Phillip Moll | D Major | 1 | 10B | 128 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Le jeune Henri, "La Chasse du jeune Henry": Overture (arr. L.M. Gottschalk): La Chasse du jeune Henri: Overture (arr. Gottschalk for 3 pianos, 10-hands, orchestra, RO 54b) | Louis Moreau Gottschalk, Étienne Nicolas Méhul, John Contiguglia, Richard Contiguglia, Angela Draghicescu, Chin-Ming Lin, Joshua Pepper, Hot Springs Music Festival Symphony Orchestra, Richard Rosenberg | D Major | 2 | 10B | 117 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
L'irato, ou L'emporte: Air: Ah, les maudites gens (Pandolphe) | Étienne Nicolas Méhul, Miljenko Turk, Cyril Auvity, Pauline Courtin, Alain Buet, Svenja Hempel, Georg Poplutz, Bonner Chamber Choir, Arte del mondo, L', Werner Ehrhardt | A Major | 2 | 11B | 126 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): III. Danse collective | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Marche militaire, Op. 51, No. 1 | Franz Schubert, Louis Lane, The Cleveland Pops Orchestra | D Major | 1 | 10B | 116 BPM | ||
Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude | Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques | B♭ Major | 2 | 6B | 107 BPM |
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