Étienne Nicolas Méhul, Miljenko Turk, Cyril Auvity, Pauline Courtin, Alain Buet, Svenja Hempel, Georg Poplutz, Bonner Chamber Choir, Arte del mondo, L', Werner Ehrhardt made "L'irato, ou L'emporte: Air: Ah, les maudites gens (Pandolphe)" available on January 1, 2006. With this song being about 5 minutes long, at 4:48, "L'irato, ou L'emporte: Air: Ah, les maudites gens (Pandolphe)" by Étienne Nicolas Méhul, Miljenko Turk, Cyril Auvity, Pauline Courtin, Alain Buet, Svenja Hempel, Georg Poplutz, Bonner Chamber Choir, Arte del mondo, L', Werner Ehrhardt is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Étienne Nicolas Méhul, Werner Ehrhardt's "Mehul, E.-N.: Irato, Ou L'Emporte (L') [Opera]" album is number 8 out of 21. On top of that, United States appears to be the country where this track was created. Based on our statistics, L'irato, ou L'emporte: Air: Ah, les maudites gens (Pandolphe)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of L'irato, ou L'emporte: Air: Ah, les maudites gens (Pandolphe) by Étienne Nicolas Méhul, Miljenko Turk, Cyril Auvity, Pauline Courtin, Alain Buet, Svenja Hempel, Georg Poplutz, Bonner Chamber Choir, Arte del mondo, L', Werner Ehrhardt to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | ||
L'invitation au château, FP 138: Acte 2: Tango | Francis Poulenc, Eric Le Sage | F Minor | 0 | 4A | 97 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 1 | 10B | 86 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Méhul : Stratonice : "Ciel! ne sois point inexorable" [Chorus] | Étienne Nicolas Méhul, William Christie, Corona Coloniensis | E Major | 0 | 12B | 76 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act III, Scene 2: Bacchanale | Camille Saint-Saëns, Myung-Whun Chung, Orchestre de l'Opéra National de Paris | B Major | 2 | 1B | 175 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM |
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