Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Boston Early Music Festival Chorus's 'Circe: XXI. Sous les augustes lois du Vainqueur de la Terre (reprise)' came out on May 31, 2023. The duration of Circe: XXI. Sous les augustes lois du Vainqueur de la Terre (reprise) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Circe: XXI. Sous les augustes lois du Vainqueur de la Terre (reprise)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Henri Desmarets, Boston Early Music Festival Orchestra, Boston Early Music Festival Chorus, Paul O'Dette, Stephen Stubbs's "Henry Desmarest: Circé" album is number 21 out of 110. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Circe: XXI. Sous les augustes lois du Vainqueur de la Terre (reprise) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Circe: XXI. Sous les augustes lois du Vainqueur de la Terre (reprise) by Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Boston Early Music Festival Chorus to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Circé, Act V Scene 3: Enfin le juste Ciel a comblé nos désirs (Astérie, Polite) | Henri Desmarets, Les Nouveaux Caractères, Sébastien d'Hérin, Caroline Mutel, Romain Bockler | F Major | 2 | 7B | 175 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Circe: IV. Prélude pour la Nymphe de la Seine | Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs | C Minor | 0 | 5A | 101 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille | Marin Marais, Ensemble Amalia | E♭ Minor | 2 | 2A | 118 BPM | ||
Trio Sonata in A Minor, BuxWV 254: I. Adagio | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 7 | 10B | 92 BPM | ||
Stabat Mater, P. 77: V. Quis est homo | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Médée, H. 491, Prologue: Trio et chœur. "Paraissez, charmante victoire" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, David Tricou, Fabien Hyon, Adrien Fournaison | B♭ Major | 2 | 6B | 179 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": I. Overture | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 3 | 1B | 128 BPM |
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