- BPM
- 142
- Key
- A♭ Minor
- Camelot
- 1A
Israel In Egypt, HWV 54 / Moses' Song: 40. Who is like unto thee - George Frideric Handel, Alastair Ross, James Vivian, Angela East, Brandenburg Consort, Roy Goodman, Choir of King's College, Cambridge, Stephen Cleobury Information
- Acousticness
- 95%
- Danceability
- 18%
- Energy
- 13%
- Instrumentalness
- 6%
- Liveness
- 12%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 10%
- Popularity
- 3%
- Loudness
- -19.776 dB
Summary
"Israel In Egypt, HWV 54 / Moses' Song: 40. Who is like unto thee" by George Frideric Handel, Alastair Ross, James Vivian, Angela East, Brandenburg Consort, Roy Goodman, Choir of King's College, Cambridge, Stephen Cleobury had its release date on April 11, 2000. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Israel In Egypt, HWV 54 / Moses' Song: 40. Who is like unto thee's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Choir of King's College, Cambridge, Brandenburg Consort, Stephen Cleobury's "Handel: Israel in Egypt" album is number 12 out of 48. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Israel In Egypt, HWV 54 / Moses' Song: 40. Who is like unto thee's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Israel In Egypt, HWV 54 / Moses' Song: 40. Who is like unto thee BPM
We consider the tempo marking of Israel In Egypt, HWV 54 / Moses' Song: 40. Who is like unto thee by George Frideric Handel, Alastair Ross, James Vivian, Angela East, Brandenburg Consort, Roy Goodman, Choir of King's College, Cambridge, Stephen Cleobury to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
Israel In Egypt, HWV 54 / Moses' Song: 40. Who is like unto thee Key
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM | |
 | Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 1 | 12B | 84 BPM | |
 | Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | |
 | Violin Concerto No. 1 in A minor, BWV 1041: 3. Allegro assai | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | A Minor | 3 | 8A | 64 BPM | |
 | Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | D♭ Minor | 0 | 12A | 108 BPM | |
 | Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | |
 | Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | |
 | Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | |
 | Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | |
 | Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM |
- ISRC
- GBBBB9508140
- Label
- L-M Records/RCA Records