Antonín Dvořák, Mela Tenenbaum, Richard Kapp's 'Waltz No. 1 in A Major, Op. 54 (Moderato)' came out on June 27, 2014. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 50 in the song's album "Top 50 Most Popular Classical Violin". In this album, this song's track order is #34. Waltz No. 1 in A Major, Op. 54 (Moderato) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Waltz No. 1 in A Major, Op. 54 (Moderato) by Antonín Dvořák, Mela Tenenbaum, Richard Kapp having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto 'per Maestro dè Morzin' for Bassoon, Strings & Continuo in G Minor, RV. 496: I. Allegro | Antonio Vivaldi, Peter Whelan, La Serenissima | G Minor | 2 | 6A | 125 BPM | ||
Violin Sonata No. 3 in D Minor, Op. 108: Allegro | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Minor | 1 | 7A | 87 BPM | ||
A. Vivaldi Concerto in A Minor II. Adagio BWV 593 | Ales Barta | A Minor | 2 | 8A | 117 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
Aucassin and Nicolette (canzonetta medievale) | Fritz Kreisler, Joshua Bell, Paul Coker | G Major | 1 | 9B | 79 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Concerto for Violin 'in tromba marina', Strings & Continuo in G Major, RV. 311: II. Andante | Antonio Vivaldi, Adrian Chandler, La Serenissima | B Minor | 0 | 10A | 71 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): The Balcony Scene | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 0 | 8B | 80 BPM | ||
12 Songs, Op. 48: No. 1. Der Engel (The Angel) (arr. J. Lloyd Webber for 2 cellos and piano) | Anton Rubinstein, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | D Major | 1 | 10B | 79 BPM | ||
16 Morceaux de Salon, Op. 49: VII. La Sevillana | Jean-Delphin Alard, Mela Tenenbaum, Richard Kapp | E Major | 1 | 12B | 101 BPM |
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