Jean-Delphin Alard, Mela Tenenbaum, Richard Kapp made "16 Morceaux de Salon, Op. 49: VII. La Sevillana" available on June 27, 2014. The duration of 16 Morceaux de Salon, Op. 49: VII. La Sevillana is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. 16 Morceaux de Salon, Op. 49: VII. La Sevillana's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 50 in the song's album "Top 50 Most Popular Classical Violin". In this album, this song's track order is #36. In terms of popularity, 16 Morceaux de Salon, Op. 49: VII. La Sevillana is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 16 Morceaux de Salon, Op. 49: VII. La Sevillana by Jean-Delphin Alard, Mela Tenenbaum, Richard Kapp having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duet: "Wir eilen mit schwachen, doch emsigen Schritten" | Johann Sebastian Bach, Richard Kapp | B♭ Major | 0 | 6B | 113 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Itzhak Perlman, André Previn, London Symphony Orchestra | D♭ Major | 1 | 3B | 92 BPM | ||
Cotton Carousel (Carrusel de Algodón) | Julián Fueyo, Sonia Bize | A♭ Major | 1 | 4B | 168 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
Nocturne Op. 51, No. 3 | Jean Sibelius, Sarah Chang, Charles Abramovic | E Minor | 1 | 9A | 84 BPM | ||
The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale | Heinrich Wilhelm Ernst, Ning Feng | G Major | 1 | 9B | 115 BPM | ||
Glitter And Be Gay | Leonard Bernstein, Maureen McGovern, Richard Kapp, Philharmonia Virtuosi of New York | B♭ Minor | 1 | 3A | 72 BPM | ||
Sonata for Violin and Piano No 3 in D minor, Op.108: 2. Adagio | Johannes Brahms, Leonidas Kavakos, Yuja Wang | A Major | 0 | 11B | 87 BPM | ||
Vivaldi: Violin Concerto in G Minor, Op. 12 No. 1, RV 317: III. Allegro | Antonio Vivaldi, Sarah Chang, Orpheus Chamber Orchestra | G Minor | 2 | 6A | 108 BPM | ||
Suite for cello No.1, Op.72: Lamento: Lento rubato | Benjamin Britten, Robert Cohen | C Major | 0 | 8B | 89 BPM |
Section: 1.2830979824066162
End: 1.2888281345367432