"Nocturne Op. 51, No. 3" by Jean Sibelius, Sarah Chang, Charles Abramovic was released on January 1, 1997. The duration of Nocturne Op. 51, No. 3 is about 3 minutes long, at 3:10. Based on our data, "Nocturne Op. 51, No. 3" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Simply Sarah". In this album, this song's track order is #13. Nocturne Op. 51, No. 3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturne Op. 51, No. 3 by Jean Sibelius, Sarah Chang, Charles Abramovic having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 2 in G Minor for solo violin, RV315 "L'Estate": 2. Adagio - Presto | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | A♭ Major | 0 | 4B | 102 BPM | ||
Carmen, fantasie brillante, Op. 3, No. 3: Andante moderato | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | B Minor | 2 | 10A | 122 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Minor | 1 | 7A | 108 BPM | ||
2 Pieces, Op. 12: No. 1, Petite ballade | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | E Minor | 0 | 9A | 90 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Kyung Wha Chung, Phillip Moll | E Major | 1 | 12B | 175 BPM | ||
Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
Violin Concerto, No. 1 in G-Minor, op. 26: I. Prelude: Allegro moderato | Philharmonia Slavonica, Alberto Lizzio, Helena Spitkova | C Minor | 1 | 5A | 107 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Minor | 0 | 2A | 59 BPM |
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