Sergei Prokofiev, Scottish National Orchestra, Neeme Järvi's 'Ala i Lolli Suite, Op. 20, "Skifskaya syuita" (Scythian Suite): Suite from Ala i Lolli, "Scythian Suite", Op. 20: II. The Enemy God and the Dance of the Spirits' came out on September 1, 1989. The duration of Ala i Lolli Suite, Op. 20, "Skifskaya syuita" (Scythian Suite): Suite from Ala i Lolli, "Scythian Suite", Op. 20: II. The Enemy God and the Dance of the Spirits is about 3 minutes long, at 3:12. Based on our data, "Ala i Lolli Suite, Op. 20, "Skifskaya syuita" (Scythian Suite): Suite from Ala i Lolli, "Scythian Suite", Op. 20: II. The Enemy God and the Dance of the Spirits" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Russian Masterpieces". In this album, this song's track order is #12. In terms of popularity, Ala i Lolli Suite, Op. 20, "Skifskaya syuita" (Scythian Suite): Suite from Ala i Lolli, "Scythian Suite", Op. 20: II. The Enemy God and the Dance of the Spirits is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ala i Lolli Suite, Op. 20, "Skifskaya syuita" (Scythian Suite): Suite from Ala i Lolli, "Scythian Suite", Op. 20: II. The Enemy God and the Dance of the Spirits by Sergei Prokofiev, Scottish National Orchestra, Neeme Järvi having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Riccardo Minasi, Ensemble Resonanz | G Minor | 3 | 6A | 119 BPM | ||
Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Piano Concerto No.23 In A, K.488 - Cadenza: Feruccio Busoni: 1. Allegro | Wolfgang Amadeus Mozart, Ferruccio Busoni, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 194 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Young Juliet | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 0 | 7B | 83 BPM |
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