Paul Schoenfield, Gelius Trio made "Cafè Music: I. Allegro" available on December 20, 2013. Cafè Music: I. Allegro is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Oblivion". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Cafè Music: I. Allegro is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Cafè Music: I. Allegro by Paul Schoenfield, Gelius Trio having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Drei Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Alexei Ogrintchouk, Leonid Ogrintchouk | B♭ Major | 0 | 6B | 131 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | D Major | 3 | 10B | 113 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Double Bass Concerto, Op. 3: III. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 2 | 11A | 69 BPM | ||
Piano Quartet No. 1 in C Minor, Op. 15: II. Scherzo (Allegro vivo) | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
Brahms: Violin Sonata No. 3 in D Minor, Op. 108: I. Allegro | Johannes Brahms, Renaud Capuçon, Nicholas Angelich | F Major | 0 | 7B | 129 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Clarinet Sonata in E-Flat Major, Op. 120, No. 2: I. Allegro amabile | Johannes Brahms, Martin Fröst, Roland Pöntinen | E♭ Major | 0 | 5B | 104 BPM | ||
All My Pretty Ones: And The Birds Arrive | Paul Sperry, Ruth Jacobson, Paul Schoenfield | E Minor | 2 | 9A | 90 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM |
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