"Piano Concerto No. 17 in G Major, K. 453: II. Andante" by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra was released on 1976. Piano Concerto No. 17 in G Major, K. 453: II. Andante appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Murray Perahia's "Mozart: The Complete Piano Concertos" album is number 2 out of 83. On top of that, United States appears to be the country where this track was created. In terms of popularity, Piano Concerto No. 17 in G Major, K. 453: II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 17 in G Major, K. 453: II. Andante by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Variazione III: Andante sostenuto | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 103 BPM | ||
Violin Concerto No. 5 In A, K.219: 3. Rondeau (Tempo di minuetto) | Wolfgang Amadeus Mozart, Joseph Joachim, Ossip Schnirlin, Anne-Sophie Mutter, London Philharmonic Orchestra | A Major | 1 | 11B | 129 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro | Lang Lang | C Major | 2 | 8B | 120 BPM | ||
Piano Concerto No. 9 in E-Flat Major, K. 271 "Jeunehomme": I. Allegro | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | E♭ Major | 2 | 5B | 140 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Sir Malcolm Sargent, Jascha Heifetz | C Minor | 4 | 5A | 147 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Sonatina in C Major, Op. 36 No. 3: III. Allegro | Muzio Clementi, Howard Shelley | G Major | 1 | 9B | 76 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Piano Quartet In E Flat, Op.87, B. 162: 4. Finale: Allegro ma non troppo | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | F♯ Major | 1 | 2B | 93 BPM |
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