Antonín Dvořák, Menahem Pressler, Emerson String Quartet's 'Piano Quartet In E Flat, Op.87, B. 162: 4. Finale: Allegro ma non troppo' came out on January 1, 1994. Since Piano Quartet In E Flat, Op.87, B. 162: 4. Finale: Allegro ma non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 8 in Dvorák: Piano Quintet, Op. 81 / Piano Quartet, Op. 87 by Antonín Dvořák, Emerson String Quartet, Menahem Pressler. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Piano Quartet In E Flat, Op.87, B. 162: 4. Finale: Allegro ma non troppo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Quartet In E Flat, Op.87, B. 162: 4. Finale: Allegro ma non troppo by Antonín Dvořák, Menahem Pressler, Emerson String Quartet is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No.3 In F Major, Op.73: 1. Allegretto - Live | Dmitri Shostakovich, Emerson String Quartet | F Major | 1 | 7B | 112 BPM | ||
Strauss, R, String Sextet from Capriccio, Op. 65 | Richard Strauss, Artemis Quartet, Thomas Kakuska, Valentin Erben | F Major | 1 | 7B | 82 BPM | ||
Sonata for Violin and Piano No. 1 in F Minor, Op. 80: III. Andante | Sergei Prokofiev, Gidon Kremer, Martha Argerich | G Minor | 4 | 6A | 92 BPM | ||
Sonata in A Major for Violin and Piano, FWV 8: I. Allegretto ben moderato | César Franck, Augustin Dumay, Maria João Pires | A Major | 2 | 11B | 73 BPM | ||
String Quartet No. 4 in C Minor, Op. 18 No. 4: 4. Allegro | Ludwig van Beethoven, Emerson String Quartet | A♭ Major | 2 | 4B | 142 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (d) Wieder zurückhaltend | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 0 | 2B | 144 BPM | ||
13 Pieces, Op. 76: No. 7 Affettuoso | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 102 BPM | ||
Piano Quintet in E flat, Op. 44: 1. Allegro brillante | Robert Schumann, Menahem Pressler, Emerson String Quartet | A Major | 2 | 11B | 103 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: IV. Vivace | Bedřich Smetana, Pavel Haas Quartet | E Major | 3 | 12B | 125 BPM | ||
Legends, Op. 59, B. 122: VI. Allegro con moto | Antonín Dvořák, Cristian Măcelaru, WDR Sinfonieorchester | C Minor | 1 | 5A | 72 BPM |
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