- BPM
- 60
- Key
- D Major
- Camelot
- 10B
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 63 "Und siehe da, der Vorhang im Tempel zerriss" - "Wahrlich, dieser ist Gottes Sohn" - "Und es waren viel Weiber da" - Johann Sebastian Bach, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir Information
- Acousticness
- 94%
- Danceability
- 28%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 31%
- Loudness
- 60%
- Speechiness
- 6%
- Valence
- 25%
- Popularity
- 17%
- Loudness
- -24.053 dB
Summary
Johann Sebastian Bach, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir's 'Matthäus-Passion, BWV 244 / Zweiter Teil: No. 63 "Und siehe da, der Vorhang im Tempel zerriss" - "Wahrlich, dieser ist Gottes Sohn" - "Und es waren viel Weiber da"' came out on January 1, 1989. The duration of Matthäus-Passion, BWV 244 / Zweiter Teil: No. 63 "Und siehe da, der Vorhang im Tempel zerriss" - "Wahrlich, dieser ist Gottes Sohn" - "Und es waren viel Weiber da" is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Matthäus-Passion, BWV 244 / Zweiter Teil: No. 63 "Und siehe da, der Vorhang im Tempel zerriss" - "Wahrlich, dieser ist Gottes Sohn" - "Und es waren viel Weiber da"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Matthäus-Passion, BWV 244 / Zweiter Teil: No. 63 "Und siehe da, der Vorhang im Tempel zerriss" - "Wahrlich, dieser ist Gottes Sohn" - "Und es waren viel Weiber da" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 63 "Und siehe da, der Vorhang im Tempel zerriss" - "Wahrlich, dieser ist Gottes Sohn" - "Und es waren viel Weiber da" BPM
The tempo marking of Matthäus-Passion, BWV 244 / Zweiter Teil: No. 63 "Und siehe da, der Vorhang im Tempel zerriss" - "Wahrlich, dieser ist Gottes Sohn" - "Und es waren viel Weiber da" by Johann Sebastian Bach, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 63 "Und siehe da, der Vorhang im Tempel zerriss" - "Wahrlich, dieser ist Gottes Sohn" - "Und es waren viel Weiber da" Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM | |
 | I. Wo Soll Ich Fliehen Hin BWV 5, (1) Coro: Wo Soll Ich Fliehen Hin | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Kristin Linde, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 171 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.14 in F sharp minor BWV883 | Daniel Barenboim | B Minor | 7 | 10A | 156 BPM | |
| Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.4 in C sharp minor BWV873 | Daniel Barenboim | D♭ Minor | 0 | 12A | 121 BPM | |
 | Birthday Ode 1692 Long may she reign over this isle | The Sixteen | B Minor | 2 | 10A | 64 BPM | |
 | Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | A♭ Major | 1 | 4B | 77 BPM | |
 | Dominus regnavit: Duet: Parata sedes | Jean-Joseph Cassanéa De Mondonville, Ann Monoyios, Michele DeBoer, Tafelmusik Baroque Orchestra, Ivars Taurins | D♭ Major | 0 | 3B | 104 BPM | |
 | Johannes Passion Bwv 245: Chorale: Ach Grosser König | Choir of King's College, Cambridge, Paul Agnew, Michael Chance, Catherine Bott, Stephan Varcoe, Johann Sebastian Bach, Stephan Richardson Christus, John Mark Ainsley Evangelist, Stephan Cleobury | A♭ Major | 1 | 4B | 74 BPM | |
 | The Fairy Queen / Act 5: Symphony | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | |
 | Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5470888614654541
End: 0.5520350933074951