Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra's 'Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 8b, Pas d'action. Dances of the Maids of Honour and Pages' came out on January 1, 1974. The duration of Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 8b, Pas d'action. Dances of the Maids of Honour and Pages is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 8b, Pas d'action. Dances of the Maids of Honour and Pages's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #18. Based on our statistics, Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 8b, Pas d'action. Dances of the Maids of Honour and Pages's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 8b, Pas d'action. Dances of the Maids of Honour and Pages by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: No. 20 - Allegro feroce | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | G Major | 4 | 9B | 124 BPM | ||
Symphony No.9 in E Minor, Op.95, B.178: 3. Scherzo (Molto vivace) | Antonín Dvořák, London Symphony Orchestra, István Kertész | D Major | 1 | 10B | 125 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
La Sylphide: Act I: Effy's entrance | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | G Major | 0 | 9B | 37 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Nocturne in C Sharp | Frédéric Chopin, Robin Smith, HAUSER, Robert Ziegler, London Symphony Orchestra | F♯ Minor | 3 | 11A | 85 BPM | ||
Le Corsaire: Act II - "7. Grand Pas: Coda: Ali, Medora, Conrad" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | E♭ Major | 2 | 5B | 74 BPM | ||
Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
Carmen Suite No. 1: 4. Les dragons d'Alcala | Georges Bizet, Orchestre de Paris, Semyon Bychkov | G Major | 0 | 9B | 117 BPM | ||
Billy the Kid: VI. Celebration. After Billy's Capture - Orchestral Suite Excerpts | Aaron Copland, London Symphony Orchestra | C Major | 4 | 8B | 180 BPM |
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