"Romance in A Minor, Op. 60 No. 1" by Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths was released on April 7, 2023. Romance in A Minor, Op. 60 No. 1 is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The song is number 4 out of 9 in Cello Concerto No. 1; Symphony Op. 20; Ballad; Romance by Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Romance in A Minor, Op. 60 No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Romance in A Minor, Op. 60 No. 1 by Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mavra (arr. S. Dushkin): Mavra: Russian Maiden's Song, "Parasha's Aria" (arr. S. Dushkin for violin and piano) | Samuel Dushkin, Igor Stravinsky, Livia Sohn, Benjamin Loeb | G Minor | 0 | 6A | 140 BPM | ||
美麗四季春 | 蘇顯達, 真如 | B♭ Major | 2 | 6B | 88 BPM | ||
3 Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Koji Morishita | D♭ Major | 1 | 3B | 131 BPM | ||
4 Easy Pieces for Viola & Piano: No. 3, Mill-Field | Imogen Holst, Yue Yu, Anthony Hewitt | E Minor | 0 | 9A | 123 BPM | ||
Trois romances sans paroles, Op. 90: Romance No. 3 in D Minor | Georg Goltermann, Katherine Decker, Eun-Hee Park | A Major | 1 | 11B | 169 BPM | ||
Lieder Ohne Worte, Sechtes Heft, Op. 67 (Arr. for Violin and Piano by Ferdinand David): I. Andante | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | G Major | 1 | 9B | 79 BPM | ||
Quatre morceaux caractéristiques, Op. 43: Nocturne No. 3 in D Minor | Georg Goltermann, Katherine Decker, Eun-Hee Park | E Minor | 1 | 9A | 81 BPM | ||
フォーレ:夢のあとに | Gabriel Fauré, Emiri Miyamoto | F Minor | 2 | 4A | 95 BPM | ||
La dolcezza di una lacrima | Daniela Mastrandrea | D♭ Major | 1 | 3B | 69 BPM | ||
2 Mélodies hébraïques, M.22: 2. L'énigme Eternelle (Performed On Viola And Piano) | Maurice Ravel, Danusha Waskiewicz, Andrea Rebaudengo | C Minor | 0 | 5A | 69 BPM |
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