"4 Easy Pieces for Viola & Piano: No. 3, Mill-Field" by Imogen Holst, Yue Yu, Anthony Hewitt was released on November 18, 2022. The duration of 4 Easy Pieces for Viola & Piano: No. 3, Mill-Field is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. 4 Easy Pieces for Viola & Piano: No. 3, Mill-Field's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 17 in Bowen, Britten & I. Holst: Chamber Music by Yue Yu, Anthony Hewitt, Jeffrey Armstrong. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, 4 Easy Pieces for Viola & Piano: No. 3, Mill-Field's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Easy Pieces for Viola & Piano: No. 3, Mill-Field by Imogen Holst, Yue Yu, Anthony Hewitt is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La dolcezza di una lacrima | Daniela Mastrandrea | D♭ Major | 1 | 3B | 69 BPM | ||
Notturno in F major Op.6 No.2: Notturno in F major Op.6 No.2 | Clara Schumann, William Howard | F Major | 0 | 7B | 71 BPM | ||
Piano Sonata in F-Sharp Minor, D. 571 (Completed by G. Bruno): I. Allegro moderato, D. 571 | Franz Schubert, Giuseppe Bruno | F♯ Minor | 1 | 11A | 114 BPM | ||
9 Préludes, Op. 103: No. 5 in D Minor | Gabriel Fauré, Lucas Debargue | D Minor | 1 | 7A | 121 BPM | ||
Sextet for Piano, Clarinet, Horn and String Trio, Op. 37: III. Allegro con sentimento – | Ernst von Dohnányi, Nash Ensemble | G Major | 3 | 9B | 170 BPM | ||
憶舊遊~旋律 | 蔡榮吉 | E♭ Major | 2 | 5B | 96 BPM | ||
Schumann: Fantasiestücke, Op. 73: I. Zart und mit Ausdruck | Robert Schumann, Emmanuel Pahud, Eric Le Sage | F Major | 1 | 7B | 84 BPM | ||
Trio for Piano, Violin and Horn in E-Flat Major, Op. 40: III. Adagio mesto | Johannes Brahms, Geoffroy Couteau, Amaury Coeytaux, Antoine Dreyfuss | F Major | 0 | 7B | 134 BPM | ||
To the Joyful Solitary Wanderer - for violin piano duo | Shiuan Chang, William Wei, Evan Wong | A♭ Major | 0 | 4B | 148 BPM | ||
Holst: Suite for Military Band No. 1 in E-Flat, Op. 28 No. 1: III. March | Gustav Holst, Imogen Holst/Central Band of the Royal Air Force, Central Band Of The Royal Air Force, Imogen Holst | C Major | 4 | 8B | 106 BPM |
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