"Doña Maria And Capt. Thorpe / Elizabeth's Throne Room" by Erich Wolfgang Korngold was released on 1940. Doña Maria And Capt. Thorpe / Elizabeth's Throne Room is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. There are a total of 17 in the song's album "The Sea Hawk (Original Motion Picture Score)". In this album, this song's track order is #4. Based on our statistics, Doña Maria And Capt. Thorpe / Elizabeth's Throne Room's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Doña Maria And Capt. Thorpe / Elizabeth's Throne Room by Erich Wolfgang Korngold having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act I: Introduction (Moderato poco piu mosso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | C Minor | 1 | 5A | 169 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker | E♭ Major | 4 | 5B | 80 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Much Ado about Nothing Suite, Op. 11: II. The Maiden in the Bridal Room | Erich Wolfgang Korngold, Marc Albrecht, Orchestre Philharmonique De Strasbourg | D♭ Major | 1 | 3B | 118 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
4 Pieces from Shakespeare's "Much Ado About Nothing", Op. 11: No. 3, Gartenscene (Arr. T. Poster for String Quartet & Piano) | Erich Wolfgang Korngold, Eusebius Quartet, Alasdair Beatson, Beatrice Philips, Venetia Jollands, Hannah Shaw, Hannah Sloane | C Major | 1 | 8B | 98 BPM | ||
The Adventures of Robin Hood: Sir Guy and Robin Hood | Erich Wolfgang Korngold, Moscow Symphony Orchestra, William Stromberg | C Major | 2 | 8B | 125 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | D Major | 1 | 10B | 65 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |
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