"4 Pieces from Shakespeare's "Much Ado About Nothing", Op. 11: No. 3, Gartenscene (Arr. T. Poster for String Quartet & Piano)" by Erich Wolfgang Korngold, Eusebius Quartet, Alasdair Beatson, Beatrice Philips, Venetia Jollands, Hannah Shaw, Hannah Sloane was released on October 15, 2021. With 4 Pieces from Shakespeare's "Much Ado About Nothing", Op. 11: No. 3, Gartenscene (Arr. T. Poster for String Quartet & Piano) being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Erich Wolfgang Korngold, Eusebius Quartet, Alasdair Beatson's "Korngold: Chamber Works" album is number 6 out of 11. In terms of popularity, 4 Pieces from Shakespeare's "Much Ado About Nothing", Op. 11: No. 3, Gartenscene (Arr. T. Poster for String Quartet & Piano) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 4 Pieces from Shakespeare's "Much Ado About Nothing", Op. 11: No. 3, Gartenscene (Arr. T. Poster for String Quartet & Piano) by Erich Wolfgang Korngold, Eusebius Quartet, Alasdair Beatson, Beatrice Philips, Venetia Jollands, Hannah Shaw, Hannah Sloane to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
Respighi: Pini di Roma, P. 141: IV. I pini della Via Appia | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | B Major | 1 | 1B | 120 BPM | ||
Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): II. Mädchen im Brautgemach | Erich Wolfgang Korngold, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Rachmaninov: Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F Major | 1 | 7B | 142 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM |
Section: 0.7873163223266602
End: 0.7906496524810791