- BPM
- 137
- Key
- C Minor
- Camelot
- 5A
Die sieben Todsünden: Ⅴ. Völlerei & Ⅵ. Unzucht - Kurt Weill, 中國愛樂樂團 Information
- Acousticness
- 96%
- Danceability
- 26%
- Energy
- 13%
- Instrumentalness
- 92%
- Liveness
- 11%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 0%
- Loudness
- -18.71 dB
Summary
"Die sieben Todsünden: Ⅴ. Völlerei & Ⅵ. Unzucht" by Kurt Weill, 中國愛樂樂團 was released on November 29, 2014. Since Die sieben Todsünden: Ⅴ. Völlerei & Ⅵ. Unzucht is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 2014中國愛樂樂團-音樂會(二十), so we believe that "Die sieben Todsünden: Ⅴ. Völlerei & Ⅵ. Unzucht" is a single. Based on our statistics, Die sieben Todsünden: Ⅴ. Völlerei & Ⅵ. Unzucht's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die sieben Todsünden: Ⅴ. Völlerei & Ⅵ. Unzucht BPM
The tempo marking of Die sieben Todsünden: Ⅴ. Völlerei & Ⅵ. Unzucht by Kurt Weill, 中國愛樂樂團 is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Die sieben Todsünden: Ⅴ. Völlerei & Ⅵ. Unzucht Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | |
 | Amor ti vieta | Umberto Giordano, Enrico Caruso, Gottfried Rabl | C Major | 2 | 8B | 99 BPM | |
 | Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | |
 | La Rondine / Act 1: "Chi il bel sogno di Doretta" | Giacomo Puccini, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | F Major | 2 | 7B | 166 BPM | |
 | Denn wie man sich bettet, so liegt man | Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera | B♭ Minor | 5 | 3A | 115 BPM | |
 | Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | |
 | Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | |
 | Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | |
| Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | |
 | Du bist die Ruh', Op. 59/3, D.776 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | C Major | 0 | 8B | 80 BPM |
- ISRC
- QM7281756182
- Label
- L-M Records/RCA Records
Section: 0.850135087966919
End: 0.8570802211761475