Arleen Auger's 'Bach - Bist du bei mir (If you are near), BWV 508' came out on January 1, 2000. Bach - Bist du bei mir (If you are near), BWV 508 is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 7 out of 38 in Auger, Arleen: Arias by Arleen Auger. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Bach - Bist du bei mir (If you are near), BWV 508 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach - Bist du bei mir (If you are near), BWV 508 by Arleen Auger is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il matrimonio segreto / Act 1: "Ecco che qui sen vien" - "Orsù, più non si tardi" | Domenico Cimarosa, Ryland Davies, Dietrich Fischer-Dieskau, Arleen Auger, Julia Varady, Julia Hamari, English Chamber Orchestra, Daniel Barenboim | G Major | 2 | 9B | 86 BPM | ||
Der vierjährige Posten, D. 190: No. 5, Gott, höre meine Stimme (Version with Piano) | Franz Schubert, Graham Johnson, Arleen Auger | D♭ Major | 0 | 3B | 90 BPM | ||
Te Deum In C Major - Hob. XXIIIc:2: "Aeterna fac cum Sanctis tuis -...Allegro moderato "Aet | Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 3 | 8B | 108 BPM | ||
Vivaldi: Magnificat in G Minor, RV 611: XI. Gloria (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 97 BPM | ||
Magnificat, RV 610: 2. Et Exultavit spiritus meus | Antonio Vivaldi, Kaia Urb, Anna Zander, Mati Turi, Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
Myrthen, Op. 25 (text by F. Ruckert and H. Heine): No. 24. Du bist wie eine Blume | Arleen Auger | A♭ Major | 0 | 4B | 90 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | E♭ Minor | 1 | 2A | 114 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D Major | 1 | 10B | 74 BPM | ||
The Creation, Hob.XXI,2: Pt. 3, By Thee with Bliss | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Matthew Brook, Harry Christophers | E♭ Major | 0 | 5B | 87 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM |
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