"Magnificat, RV 610: 2. Et Exultavit spiritus meus" by Antonio Vivaldi, Kaia Urb, Anna Zander, Mati Turi, Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste was released on August 1, 2003. The duration of Magnificat, RV 610: 2. Et Exultavit spiritus meus is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Magnificat, RV 610: 2. Et Exultavit spiritus meus's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Gloria - Messsätze und Vespern by Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste. The song's track number on the album is #21 out of 28 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Magnificat, RV 610: 2. Et Exultavit spiritus meus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Magnificat, RV 610: 2. Et Exultavit spiritus meus by Antonio Vivaldi, Kaia Urb, Anna Zander, Mati Turi, Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Magnificat, RV 610: 2. Et Exultavit spiritus meus being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 11 in D Minor for 2 Violins and Cello, RV 565: III. Allegro | Antonio Vivaldi, Wolfgang Schneiderhan, Rudolf Baumgartner, Marcal Cervera, Lucerne Festival Strings | D Minor | 3 | 7A | 127 BPM | ||
Sonata in G Minor: II. Courante: Allegro con spirito | Henry Eccles, Amit Peled, Eliza Ching | G Minor | 2 | 6A | 127 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM |
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