"Capriccio italien, Op. 45 ; TH 47 (extrait)" by Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic was released on March 29, 2024. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Tchaïkovski pour les petits maestros". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. Capriccio italien, Op. 45 ; TH 47 (extrait) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Capriccio italien, Op. 45 ; TH 47 (extrait) by Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria | Franz Schubert, Isaac Stern, Milton Katims, Columbia Symphony Orchestra, Leonard Bernstein, New York Philharmonic | C Major | 1 | 8B | 94 BPM | ||
Symphony No. 39 in E-Flat Major, K. 543: II. Andante con moto - Remastered by Andrew Hallifax 2024 | Wolfgang Amadeus Mozart, London Symphony Orchestra, Josef Krips | C Major | 4 | 8B | 137 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
Symphony No. 2 "The Age of Anxiety", Pt. 2: The Epilogue. L'istesso tempo | Leonard Bernstein, Jean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 135 BPM | ||
4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: No. 10 Jesu, Joy Of Man's Desiring (Arr. by Guillermo Figueroa) | Johann Sebastian Bach, Orpheus Chamber Orchestra | G Major | 1 | 9B | 66 BPM | ||
Adagio For Strings And Organ In G Minor | Tomaso Albinoni, Wolfgang Meyer, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 73 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: V. Variations J-L, Brass. L'istesso tempo - Vivace - Allegro pomposo | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | E Major | 5 | 12B | 136 BPM | ||
Symphony No. 1 "Jeremiah": I. Prophecy | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM |
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