"Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: E allor perché, di', tu m'hai stregato (Silvio/Nedda)" by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti was released on 1979. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 12 out of 44. The popularity of Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: E allor perché, di', tu m'hai stregato (Silvio/Nedda) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: E allor perché, di', tu m'hai stregato (Silvio/Nedda) by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les filles de Cadix | Léo Delibes, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | F♯ Minor | 2 | 11A | 140 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Serenata | Enrico Toselli, Alfredo Kraus, Enrique Estela, Orquesta De Camara De Madrid | E Major | 3 | 12B | 167 BPM | ||
Core n'grato | Salvatore Cardillo, Andrea Bocelli, Academy Of Choir Art Of Russia, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | E♭ Major | 2 | 5B | 125 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Pagliacci / Act 1: "Sei là...So ben che difforme...Oh! lasciami" | Ruggero Leoncavallo, Daniela Dessi, Juan Pons, Philadelphia Orchestra, Riccardo Muti | D♭ Major | 2 | 3B | 68 BPM | ||
La Norma: Ouverture | Vincenzo Bellini, Rundfunkorchester Des Südwestfunks, Klaus Arp3 | A Major | 1 | 11B | 123 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
Los Pescadores de Perlas "Mi Par D'udir Ancora" | Alfredo Kraus | D Major | 2 | 10B | 168 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM |
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