"Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio" by Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields was released on 1971. Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Murray Perahia's "Murray Perahia Plays Bach Concertos" album is number 2 out of 30. Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio by Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM | ||
Violin Concerto In E Minor, Op.64, MWV O14: 3. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester Leipzig, Kurt Masur | E Major | 2 | 12B | 81 BPM | ||
Suite No. 5 in E Major, HWV 430: I. Prelude | George Frideric Handel, Murray Perahia | E Major | 1 | 12B | 127 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Das Wohltemperierte Klavier: Book 1, BWV 846-869: Praeludium 2 | Johann Sebastian Bach, Maurizio Pollini | C Minor | 2 | 5A | 125 BPM | ||
String Octet in E-Flat Major, Op. 20, MWV R20: III. Scherzo: Allegro leggierissimo | Felix Mendelssohn, Kodály Quartet, Auer String Quartet | A Minor | 0 | 8A | 168 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM | ||
Keyboard Concerto No. 13 in F Major, HWV 295, "The Cuckoo and The Nightingale": I. Larghetto | George Frideric Handel, Matthias Kirschnereit, German Chamber Academy Neuss, Lavard Skou Larsen | D Minor | 0 | 7A | 176 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM |
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