Eugen Jochum, Bavarian Radio Chorus, Nicolai Gedda, Julia Hamari, Edda Moser, Dietrich Fischer-Dieskau, Bavarian Radio Symphony Orchestra made "Vesperae solennes de confessore (Solemn Vespers), K.339 (1986 Digital Remaster): Laudate Dominum" available on February 1, 2011. With this song being about 5 minutes long, at 5:09, "Vesperae solennes de confessore (Solemn Vespers), K.339 (1986 Digital Remaster): Laudate Dominum" by Eugen Jochum, Bavarian Radio Chorus, Nicolai Gedda, Julia Hamari, Edda Moser, Dietrich Fischer-Dieskau, Bavarian Radio Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Drivetime Classics, so we believe that "Vesperae solennes de confessore (Solemn Vespers), K.339 (1986 Digital Remaster): Laudate Dominum" is a single. Based on our statistics, Vesperae solennes de confessore (Solemn Vespers), K.339 (1986 Digital Remaster): Laudate Dominum's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Vesperae solennes de confessore (Solemn Vespers), K.339 (1986 Digital Remaster): Laudate Dominum by Eugen Jochum, Bavarian Radio Chorus, Nicolai Gedda, Julia Hamari, Edda Moser, Dietrich Fischer-Dieskau, Bavarian Radio Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 14 in D Minor, D.810 -"Death and the Maiden": 4. Presto | Franz Schubert, Hagen Quartett | D♭ Major | 1 | 3B | 149 BPM | ||
Virga Jesse (Motet), WAB. 52 | Anton Bruckner, Bavarian Radio Chorus, Eugen Jochum | C Minor | 1 | 5A | 87 BPM | ||
Hymnus "Vexilla regis", WAB 51 | Anton Bruckner, Eugen Jochum, Bavarian Radio Chorus | C Major | 0 | 8B | 84 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Variations on a theme of Frank Bridge, Op.10: 1. Introduction & Theme | Benjamin Britten, English Chamber Orchestra | F Major | 0 | 7B | 84 BPM | ||
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Requiem in C Minor: Introitus - Kyrie | Antonio Salieri, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian, Adam Zdunikowski, Luis Rodrigues | C Minor | 0 | 5A | 57 BPM | ||
Holberg Suite, Op. 40: I. Prelude (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 1 | 9B | 74 BPM |
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