"Farruca" by Teresa Berganza was released on February 4, 2013. The duration of Farruca is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Farruca's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Teresa Berganza con Felix Lavilla al Piano. 8 Canciones Españolas y 7 Canciones Italianas". In this album, this song's track order is #8. Farruca is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Farruca by Teresa Berganza having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | ||
Samba Clássico (Ode) | Heitor Villa-Lobos, Vilalba Filho, Teresa Berganza, Juan Antonio Álvarez Parejo | G Minor | 1 | 6A | 81 BPM | ||
La Traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 114 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | B Major | 2 | 1B | 86 BPM | ||
La Traviata: Act I: Sempre libera | Giuseppe Verdi, Fernando Previtali, Rome Opera Orchestra | A♭ Major | 1 | 4B | 178 BPM | ||
La maja dolorosa I | Teresa Berganza, Juan Antonio Alvares Parejo | D Minor | 0 | 7A | 147 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
El amor brujo - Ballet By G. Martinez Sierra: Canción del amor dolido | Manuel de Falla, Teresa Berganza, London Symphony Orchestra, García Navarro | A Major | 2 | 11B | 58 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM |
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