Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge's 'Die Csardasfurstin (The Gypsy Princess): Act I: Lied: Heia, heia, in den Bergen ist mein Heimatland (Sylva, Boni, Feri and Chorus)' came out on January 29, 2005. The duration of Die Csardasfurstin (The Gypsy Princess): Act I: Lied: Heia, heia, in den Bergen ist mein Heimatland (Sylva, Boni, Feri and Chorus) is about 3 minutes long, at 3:12. Based on our data, "Die Csardasfurstin (The Gypsy Princess): Act I: Lied: Heia, heia, in den Bergen ist mein Heimatland (Sylva, Boni, Feri and Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Emmerich Kálmán's "Kalman: Csardasfurstin (Die) (The Gypsy Princess)" album is number 2 out of 24. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Die Csardasfurstin (The Gypsy Princess): Act I: Lied: Heia, heia, in den Bergen ist mein Heimatland (Sylva, Boni, Feri and Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Csardasfurstin (The Gypsy Princess): Act I: Lied: Heia, heia, in den Bergen ist mein Heimatland (Sylva, Boni, Feri and Chorus) by Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater | C Major | 2 | 8B | 80 BPM | ||
Puts: The Hours, Act 1: "Missus Dalloway Said She Would Buy the Flowers Herself" (Laura, Virginia, Chorus, Dan, Richie) [Live] | Kevin Puts, Yannick Nézet-Séguin, Brandon Cedel, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | A♭ Minor | 1 | 1A | 113 BPM | ||
5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children | Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews | E Minor | 0 | 9A | 170 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 3: Nur deiner harr ich, niemals Verlorne! (Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | F♯ Major | 1 | 2B | 89 BPM | ||
Paraguay: "For three centuries a reign oppressed the unhappy peoples of America…" (Olympic version) | Francisco Jose Debali, Slovak Radio Symphony Orchestra, Peter Breiner | F Major | 2 | 7B | 68 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | A Major | 0 | 11B | 169 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act I: Bimba dagli occhi pieni ci malia | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | A Major | 1 | 11B | 89 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Ye Banks And Braes O' Bonnie Doon | Percy Grainger, Slovak Radio Symphony Orchestra | F Major | 1 | 7B | 78 BPM |
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