- BPM
- 79
- Key
- G Minor
- Camelot
- 6A
The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in G Minor, BWV 861 - Live in Troy, NY / 1987 - Johann Sebastian Bach, Keith Jarrett Information
- Acousticness
- 100%
- Danceability
- 41%
- Energy
- 7%
- Instrumentalness
- 83%
- Liveness
- 12%
- Loudness
- 49%
- Speechiness
- 4%
- Valence
- 63%
- Popularity
- 18%
- Loudness
- -30.87 dB
Summary
Johann Sebastian Bach, Keith Jarrett made "The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in G Minor, BWV 861 - Live in Troy, NY / 1987" available on June 14, 2019. With The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in G Minor, BWV 861 - Live in Troy, NY / 1987 being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Keith Jarrett's "J.S. Bach: The Well-Tempered Clavier, Book I (Live in Troy, NY / 1987)" album is number 32 out of 48. The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in G Minor, BWV 861 - Live in Troy, NY / 1987 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in G Minor, BWV 861 - Live in Troy, NY / 1987 BPM
We consider the tempo marking of The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in G Minor, BWV 861 - Live in Troy, NY / 1987 by Johann Sebastian Bach, Keith Jarrett to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The Well-Tempered Clavier: Book 1, BWV 846-869: 2. Fugue in G Minor, BWV 861 - Live in Troy, NY / 1987 Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | |
 | Concerto Grosso in D Major, Op. 1, No. 5: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 3 | 10B | 145 BPM | |
 | II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 1. Sonata | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Bas Ramselaar, Hendrik Jan Houtsma, Eduard Wesley, Will Wroth, Pieter Jan Leusink | B Major | 4 | 1B | 183 BPM | |
 | Matthäus-Passion, BWV 244, Erster Teil: 28. Evangelista, Jesus "Und siehe, einer aus denen" | Johann Sebastian Bach, Collegium Vocale Gent, Ian Bostridge, Philippe Herreweghe, Franz-Joseph Selig | A♭ Major | 2 | 4B | 77 BPM | |
| Matthäus-Passion, BWV 244, Zweiter Teil: 45a. Evangelista, Pilatus, Uxor Pilatus, Chorus I & II "Auf das Fest aber hatte der Landpfleger" - 45b. Chorus I & II "Laß ihn kreuzigen!" | Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Philippe Herreweghe, Ian Bostridge | F♯ Major | 1 | 2B | 102 BPM | |
 | Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | |
 | Part 16 | Keith Jarrett | A♭ Major | 1 | 4B | 61 BPM | |
 | Christmas Oratorio, BWV 248/1: Bereite dich, Zion (Alto) | Johann Sebastian Bach, Christian Friedrich Henrici, Marianne Beate Kielland, Alfredo Bernardini, Barokkanerne | F Major | 2 | 7B | 81 BPM | |
| Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | |
 | Allegro in D Major, Wq. 116/28, H. 254 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 115 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5645225048065186
End: 0.5690007209777832