"Matthäus-Passion, BWV 244, Erster Teil: 28. Evangelista, Jesus "Und siehe, einer aus denen"" by Johann Sebastian Bach, Collegium Vocale Gent, Ian Bostridge, Philippe Herreweghe, Franz-Joseph Selig was released on 1999. The duration of Matthäus-Passion, BWV 244, Erster Teil: 28. Evangelista, Jesus "Und siehe, einer aus denen" is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Matthäus-Passion, BWV 244, Erster Teil: 28. Evangelista, Jesus "Und siehe, einer aus denen"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent's "J.S. Bach: Matthäus-Passion BWV 244" album is number 28 out of 68. Matthäus-Passion, BWV 244, Erster Teil: 28. Evangelista, Jesus "Und siehe, einer aus denen" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matthäus-Passion, BWV 244, Erster Teil: 28. Evangelista, Jesus "Und siehe, einer aus denen" by Johann Sebastian Bach, Collegium Vocale Gent, Ian Bostridge, Philippe Herreweghe, Franz-Joseph Selig to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.5 in D major BWV874 | Daniel Barenboim | D Major | 0 | 10B | 92 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.8 in D sharp minor BWV877 | Daniel Barenboim | E♭ Minor | 1 | 2A | 146 BPM | ||
5 Little Preludes, BWV 939-943: Prelude In D Minor, BWV 940 | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 121 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825: III. Courante | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM | ||
Matthäus-Passion, BWV 244, Seconda parte: Nr.61. Und von der sechsten Stunde (Evangelista, Jesus) | Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Stéphane Degout | G Major | 1 | 9B | 80 BPM | ||
5 Little Preludes, BWV 939-943: Prelude In A Minor, BWV 942 | Janos Sebestyen, Johann Sebastian Bach | A Minor | 1 | 8A | 117 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.6 in D minor BWV875 | Daniel Barenboim | D Minor | 0 | 7A | 96 BPM | ||
Matthäus-Passion, BWV 244, Pt. 2: No. 54, Chorale. "O Haupt voll Blut und Wunden" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | F Major | 2 | 7B | 96 BPM | ||
St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 2 (Nach der Predigt): Choral: Keinen hat Gott verlassen | Johann Sebastian Bach, Christiane Oelze, Rosemarie Lang, Peter Schreier, Leipzig Favorit- Und Capellchor, New Bach Collegium Musicum Leipzig | D Minor | 4 | 7A | 120 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM |
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