Daniel Barenboim made "Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.8 in D sharp minor BWV877" available on 2004. With this song being about 5 minutes long, at 4:30, "Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.8 in D sharp minor BWV877" by Daniel Barenboim is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 63 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.8 in D sharp minor BWV877's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.8 in D sharp minor BWV877 by Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quartet in G major / Sol majeur / G-dur: II. Vivace - Moderato - Vivace | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 2 | 2A | 115 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile | Carl Philipp Emanuel Bach, Christopher Hinterhuber | D♭ Major | 0 | 3B | 53 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.11 in F major BWV880 | Daniel Barenboim | B♭ Minor | 0 | 3A | 66 BPM | ||
Handel: Keyboard Suite in F Major, HWV 427: II. Allegro | George Frideric Handel, Sviatoslav Richter | D Minor | 0 | 7A | 176 BPM | ||
Kinderszenen, Op.15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
Concerto for 2 Horns in F Major, RV 539: I. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | A♭ Minor | 3 | 1A | 137 BPM | ||
25 Études faciles et progressives, Op. 100: No. 1, La candeur | Franz Burgmüller, Carl Petersson | C Major | 1 | 8B | 140 BPM | ||
Lieder ohne Worte, Op.85: No. 4. Andante sostenuto in D, MWV U 190 - "Elegy" | Felix Mendelssohn, Daniel Barenboim | D Major | 0 | 10B | 69 BPM | ||
Mendelssohn-Hensel, F: String Quartet in E-Flat Major: II. Allegretto | Fanny Mendelssohn, Quatuor Ébène | C Minor | 3 | 5A | 151 BPM |
Section: 0.672487735748291
End: 0.6760439872741699