"König David: Heereszug" by Arthur Honegger, Devid Striesow, Junges Ensemble Berlin, Prometheus Ensemble Berlin, Frank Markowitsch was released on May 26, 2014. The duration of König David: Heereszug is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. König David: Heereszug's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 27 in Arthur Honegger: König David by Arthur Honegger, Junges Ensemble Berlin, Prometheus Ensemble Berlin, Frank Markowitsch, Devid Striesow, Rowan Hellier, Jan Remmers, Narine Yeghiyan, Irm Hermann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. König David: Heereszug is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of König David: Heereszug by Arthur Honegger, Devid Striesow, Junges Ensemble Berlin, Prometheus Ensemble Berlin, Frank Markowitsch is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro | Carl Reinecke, Jasmine Choi | E Minor | 1 | 9A | 108 BPM | ||
The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks | A♭ Major | 0 | 4B | 64 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Scenes de la foret, Op. 123: No. 1. Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, members | A♭ Major | 0 | 4B | 131 BPM | ||
Piano Concerto No. 1 For Piano, Trumpet & Strings, Op. 35: III. Moderato | Dmitri Shostakovich, Denis Matsuev, Gabor Tarkövi, Kammerorchester Wien - Berlin, Rainer Honeck | A Major | 0 | 11B | 126 BPM | ||
Astrognosia: Interludium I | Magne Amdahl, Ingar Bergby, Kork, The Norwegian Radio Orchestra | A♭ Major | 0 | 4B | 77 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations III & IV | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 2 | 10B | 108 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
3 Fragmente: II. Ulysse en Itaque | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | G Minor | 0 | 6A | 80 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM |
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